Showing posts with label farther room. Show all posts
Showing posts with label farther room. Show all posts

Sunday, March 20, 2011

The Truth


What’s the truth?


There’s a question for the ages. The meaning of life? The reason we’re all here? The grand design? The point of it all?

What is the POINT?

I’ll be honest; I’ve never cared to find out. I pride myself on having found philosophical and existential balance pretty early in life. I was 17 years old, pacing around my apartment, worrying what I should do about my failing grades, my future college career and my life beyond, and I had this sudden, calming epiphany that it didn’t matter. All the shit crushing in on me… didn’t matter. I thrust my arms out to the side with the force and conviction of a shepherd parting waves and I said, “It doesn’t fucking matter.”

And it didn’t.

I didn’t do too well in school. My brain didn’t jibe with that establishment -- which shouldn’t be mistaken for a generic, punk-poseur aversion to “The Establishment” -- I’m just saying the way things were done there -- the energies involved -- the vibe -- wasn’t me. I didn’t like the idea of worrying myself into a nervous breakdown because my own desires, inspirations and meditations didn’t fit into the structure of a future I’d built for myself based on society’s blueprint.

Does that make sense?

It was MY blueprint. MY life. I was who I was and I did what I did and I enjoyed myself. Probably not to the degree that I might have liked; I still feel like I missed out on a lot of my youth when I was young. But at least I clung to those inspirations. Three years later, I would introduce myself to a table of creative professionals by giving my name and adding, “and I wouldn’t be here today if I was a good student in school.”

That moment -- the one with the "F" word, I mean -- shaped my view on life. It’s the sort of clarity a person gains when they’re riding a malfunctioning plane into the Atlantic and they realize, “Fuck… I can’t do anything to stop this. I am not in control of this. I preside over myself alone and the rest of the world is just a ride.”

Except, instead, I was 17 years old and worried about meeting the expectations of imaginary people I realized I didn’t give a shit about. I’ve always been sort of an early psychological bloomer. I think I hit my mid-life crisis around 20.

So, it didn’t fucking matter, and from that sprung an entire philosophy on life, molded around the idea of being productively selfish. Do what makes
you happy. Get what you want. Contribute to a more positive world by not walking around with a cloud over your head all the time. I couldn’t always follow this philosophy, but who among us can? Even Christians have confession.

One major part of that philosophy was the willingness to not care. People struggle their entire lives with questions of religion and faith and purpose and meaning, and I refused to. God was whatever I chose to believe he was. A mixture of all the good stuff and none of the bad. Did I believe in the devil and hell? Nope. Great storytelling concept, though. Was I interested in others thrusting their beliefs upon me? Hell no. Stop distracting me. Was I eager to share these beliefs and seek out others who felt the same? Not really. I cared more about what other people thought of the comics, movies, and music that I loved. THAT was the shit that mattered to me, because THAT’s what made me happy. Creativity was my religion, and I would wage war on the non-believers with the fury of a thousand angry nerds. But the god stuff just didn’t bother me. I figured, when the time came, I’d learn. Until then, I was gonna do right by me.

This didn’t mean I wasn’t curious… of course I was. I’m a problem-solver by nature, and the only thing worse for me than not knowing something is KNOWING that I don’t know. But the scope of this particular problem was beyond my ability to decypher, at least while still doing everything else in my life that I wanted to. So, like a person who’s resigned themselves to withholding judgement until the end of the movie, I just decided to sit back and enjoy the story. No spoilers would be sought.

I always had an ear out for them, though. Every philosophical discussion or passionate rant I was party to, I paid close attention and listened for the ring of truth. Not judging, not rejecting, but accepting everything, comforted by the notion that I didn’t really need to know.

Still, certain things -- the things that really resonated -- found their way into my daily life. I believe in the power of positive thinking, not because my father would drill this stuff into my head relentlessly when I was younger, but because through my own path, I found that thinking more positively made me feel better. And that made the people I interacted with feel better. And those people in turn made others feel better. And when people feel good, they make less mistakes. And when less mistakes are made, things don’t go wrong as often. Like a stone dropped into a pond, each of us creates ripples, and those are the ripples I want to create.

(As it happens, this is exactly what my father had been trying to explain to me all those years ago, just in his own way and his own words, which weren’t the ones I needed at the time. Or maybe all I needed was time.)

Have I gotten off topic…? Not really. Because it all leads back to the title of this post. The truth.

I’ve never looked for the truth. But I have kept my mind open enough to discover bits and pieces of it along the way. Part of that is corroborating reports. When two people say the same thing, it can be a coincidence. When three or four or five people say the same thing, it could be intentional. When several people, separated by years, with no reason to interact or even pay attention to each other start saying the same weird things in different words… well now that’s something of interest.

It’s the “in different words” part that makes it true for me. You know the belief that all messianic figures throughout the world’s religions may actually be differing accounts of the same person? I believe that. The similarities in structure, if not detail, are too apparent, and the storytellers have no interest in each other. Somewhere between conflict and indifference lies truth.

So, what is truth?

Y’know what? It doesn’t fucking matter… but the problem has a shape now. It has a perceivable scope. I can see both ends of it and I’m curious.

The truth lies hidden in the words and works of
Alan Moore, where all time is simultaneous, art is true magic, and society is becoming steam.


The truth lies hidden in the life and mind of
Grant Morrison, where magic is a proven act of sheer will, and the next level of consciousness means releasing your personal identity to merge into something communal.


The truth lies hidden in the often angry, sometimes cynical, always passionate words of
Bill Hicks, in which “all matter is merely energy condensed to a slow vibration, and we are all one consciousness experiencing itself subjectively.”


The truth lies hidden in the experiences of
Stephen Tobolowsky, who tells a story of a time in his life when he could hear “tones,” like voices (music?) from another (farther?) room, which told him things he couldn’t possibly know about the pasts of random people.


The truth lies hidden in the life of my own family member, who has been telling me these things, in different words, since I was a child, and who put his money where his mouth was last year by quitting his medications and curing himself of a debilitating disease through the power of sheer will and belief.

These aren’t the words of
Joseph Campbell or Carlos Castaneda or Michio Kaku or Seth. These aren’t studies I’ve pursued. These are snippets from the lives of artists. These are tiny shards of truth that have stuck in my mind unintentionally. If Creativity is my religion (and it is), these people are my prophets.

Somewhere in their experiences, and the experiences of many others who have not yet crossed my path, lies the truth.

It’s not a truth I’m going to seek out. I have other things to focus on. Stories yet to tell. This is just one of them. And just because I’ve written it doesn’t mean I’m going to become one of those armchair philosophers, tirelessly sussing out the meaning of life, the universe and everything. I’m perfectly content with “42” and everyone else can rest happily in their own beliefs.



Ultimately, this is just a blog post. A collection of words and links. Its only meaning is what you invest in it.

It doesn’t fucking matter.

Monday, February 8, 2010

Why Farther Room?

It's not because I'm a poetry buff, that's for sure -- not that I have anything against poetry. Like all forms of creative expression, I both respect and appreciate a good poem, but I've never been drawn to them on an academic level. Because of this my knowledge of the classics has been, and probably always will be, severely limited.

Still, I've managed to absorb the odd bit of verse through my various other interests. I discovered James Thomson's City of Dreadful Night when it was quoted in The Crow: City of Angels novelization. I learned about W.B. Yeats's The Second Coming when it inspired the title of the Angel season 4 episode, "Slouching Towards Bethlehem." And T.S. Eliot's The Love Song of J. Alfred Prufrock was brought to my attention through a comic book called Violent Messiahs: The Book of Job.

VM is a comic I hold very near and dear to my heart for no other reason than it's just really, really damn good. The story is well-told, the characters complex and interesting. The ideas are broad and ambitious, with themes deep, dark and elusive, and a tone that never becomes complacent, hop-scotching from one emotion to the next. It is a story whose reach ever-exceeds its grasp, and every time I read it, it makes me want to be a better writer.

The trade-dress for Image's publication of Violent Messiahs: The Book of Job
Avoiding spoilers, in the fifth chapter (issue) of the book, the main character finds himself at an existential crossroads, torn between family obligations and the deep, powerful desire to connect with another human being, and set his own path in the world. He turns to the poetry he learned as a child, finding guidance in one particular passage by T.S. Eliot...

"Do I dare disturb the universe?
For decisions and revisions which a minute will reverse.

For I have known them all already, known them all...
Have known the evenings, mornings, afternoons,
I have measured out my life with coffee spoons;
I know the voices dying with a dying fall...
Beneath the music from a farther room."

It's a powerful moment -- one of my favorites -- and it propels the main character onward to the end of the story.

So, readdressing the original question: "Why Farther Room?"

For starters... Because of Violent Messiahs.

But it doesn't end there. It's a great moment in a great comic, and it's definitely a cool name, but to justify using so esoteric a reference, I figure I've got to have a better reason than that. Especially considering my aforementioned ignorance in the realm of poetry. The title should have meaning... and it does.

In my eyes, what the quoted passage is about, to some degree what the entire poem is about, and certainly what Violent Messiahs is at least partially about, is feeling trapped within the circumstances of one's own life. Wasting away in stagnation while being too afraid to change those circumstances for fear of what the unknown might hold. To me, the Farther Room is something familiar and unattainable. The curious unknown that so many people look toward but never attempt. It's where all the magic happens.

In my own life, I know I've gotten tired of staring at that door and wondering "What if...?" I'm ready to finally go there. No more anticipation; only action. That's what this project represents. We are in the Farther Room.

I know what a lot of you will say...

Hobbes is unamused.
...and I suppose you'd be right.

It's kinda corny, and I have no doubt that my interpretation of the poem is way off... but it's something that inspires me. And isn't that the beauty and purpose of art? For the audience to find their own interpretations and value within the creation?

I think it's pretty nifty.

Anyway, before I wrap up, I wanted to share a few other "Farther Rooms" that I've found out there in the great unknown:

  • A Farther Room is a wordpress blog maintained by a Los Angeles-based writer named Blair. With topics ranging from entertainment to science to politics, Japanese ramen houses and, yes, even bacon bikinis, I've found in my short time reading that it lives up to its self-proclaimed title as "wonder log of the worldwide web." Probably the blog you should be reading instead of mine (but you can read mine too).
  • Music From A Farther Room is the 2004 debut album by American violinist Lucia Micarelli. If you enjoy violin and/or instrumental music, you should definitely give it a listen. I'm greatly enjoying it. Plus, she's from Queens. Represent!
  • music from a farther room is a LiveJournal blog by an aspiring writer/singer/song-writer named Jo. She's "busking on the internet" as a means to earn enough money to leave her small town and go to school in Boston. It's a pretty nifty idea and she seems to have the sort of spirit we (I) here in the Farther Room respect and encourage. If you hear a song you like, throw a dollar her way.
  • Music From A Farther Room was an art exhibition which ran from July 31 to September 27, 2009, at the Gosford Regional Gallery near Sydney, Australia. The unifying theme is the concept of all points in time existing simultaneously, and the relationship between youth and age within that context. Fascinating topic, and there are lots of pretty pictures, so give it a gander!
  • Music From A Farther Room is a short film written and directed by Tobias Munthe. I have no idea what it's about, but here's the trailer.

Also, be sure to check out Violent Messiahs: The Book of Job, and its sequel, Lamenting Pain, both of which were recently rereleased through IDW Publishing.